Santoor Maestro Rahul Sharma on Collaborating With Amitabh Bachchan, And Bringing Music Legends Together For Ramyug

Santoor Maestro Rahul Sharma on Collaborating With Amitabh Bachchan, And Bringing Music Legends Collectively For Ramyug

Santoor Maestro Rahul Sharma, son of Pandit Shivkumar Sharma, has curated amazingly divine music for the MX Participant net collection Ramyug. Directed by Kunal Kohli, the collection options an exquisite quantity titled Hanuman, sung by Amitabh Bachchan who has lent his voice to many different devotional songs up to now. The music of the collection options a number of the most and legendary artistes from the music trade together with Flutist Padmavibhushan Pt Hari Prasad Chaurasia, Santoor maestro Pt Shiv Kumar Sharma, singer Ustad Rashid Khan, Sonu Nigam, and Tabla maestro Zakir Hussain. Additionally Learn – Amitabh Bachchan and Jaya Bachchan’s forty eighth Wedding ceremony Anniversary| Watch Video To Know Lesser Identified Information

In an interview with Novi Reporter, he explains all that went behind bringing all of the legends collectively, his form of music, and the way he plans to take his father’s legacy ahead. Rahul additionally speaks on Bollywood utilizing classical ragas and respecting classical music. Excerpts: Additionally Learn – Amitabh Bachchan Shares Priceless Wedding ceremony Photos With Jaya Bachchan as They Full 48 Years

1. How far do you assume Indian classical music has come from the times when entry was restricted and it was thought-about unique to some gharanas?
As we speak, Indian classical music has a world appreciation and presence. Due to a number of legendary maestros who, within the early 60s – 70s, took it overseas to offer the audiences a glimpse of it and later the listeners, who turned an ear to it and have been asking for extra. Whether or not it’s The Womad competition by Peter Gabrel in Australia, New Zealand, England, or the End auditoriums in Capetown, South Africa, or the small gatherings in Benares, Indian classical music has promising torchbearers who’re taking it locations. Additionally Learn – Amitabh Bachchan Celebrates 52 Years In Bollywood With a Collage of His Character Seems From 56 Motion pictures

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2. Your work in Ramyug appears one thing extraordinarily profound, one thing that no less than the web-space hasn’t skilled earlier than. Are you open to experimenting extra with conventional music?
Since Ramyug is predicated on Ramayana, it was crucial to have the presence of classical musicians, instrumentalists, vocalists, percussionists to offer it that deep pious really feel, on the identical time my collaborative sensibilities felt the necessity to have programmers give it the bigger than life sound. Therefore you will note Amitabh Bachchan singing the Hanuman Chalisa accompanying him Ustad Zakir Hussain, or Sonu Nigam singing to the legendary Santoor and flute Maestros Pt Shiv Kumar Sharma, PtHariprasadChaurasia. Then there’s Ustad Rashid Khan singing the Ram Seeta unhappy theme, to not point out PtBhawani Shankar’s highly effective Pakhavaj on the Raavan theme tune with my voice together with Narayan Mani‘s historic Veena.

This was an incredible step in having these musicians for a Bollywood venture on the identical time experiment with Amitabhji singing a recent Hanuman energy theme tune. I’m open to experimenting and have been doing so in my collaborations.

3. How was it like collaborating with Amitabh Bachchan for the tune? He has given his voice to many devotional numbers up to now. What was totally different this time and the way did he react to your work?
Nicely, I used to be humbled by Famous person Amitabh Bachchan when he agreed to sing the tune after he preferred what he heard. His sense of melody and rhythm, and naturally the extent to which he concerned himself in contributing to the little nuances and refrain strains, within the Hanuman tune was wonderful. The truth that he knew that the legendary maestros have been a part of this, additionally made him extra smitten by this venture. He has sung devotional songs earlier than however this Hanuman theme is a really up-tempo tune and celebrates Hanuman Ji’s energy so it wanted to be sung with gusto and that’s precisely what he did, therefore it is vitally totally different from his earlier work.

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It was a dream come true for me to have him sing my composition and I keep in mind he needed the pitch of the tune altered to his most popular baritone and took nice pains in rehearsing and dealing a number of nights on the tune and eventually despatched it again to me, and the result’s there for everybody to listen to, the Hanuman tune has already crossed 5 million views and going sturdy. I’ve at all times been his fan, and I’m really humbled by his blessings for my composition.

4. Whenever you and different fabulously educated artistes such as you determine to make fusion music and embrace international beats or lyrics into your music, do you consider it as your contribution to the artwork, otherwise you take into account it as the necessity of the hour?
When even after I collaborated with Grammy winners corresponding to KennyG on Namaste India the album was No.1 on US Billboard Jazz charts or with electronics group Deep Forest of French pianist Richard Clayderman for Confluence, as soon as widespread issue was that I used to be the composer so it helped me design the album together with my music producer Jackie V in such a manner that whether or not it’s with lyrics or simply instrumental it ought to be melodic. As I really feel melody is the soul of any tune.

5. You designed music for a Bollywood film. However, we haven’t seen many classically educated artistes coming from a wealthy heritage of music like yours curating songs for cinema. Usually, the notion is that ‘we’re too pure for Bollywood’. What do it’s important to say to this?
Sure, in my very first movie I used to be fortunate to have Lata Mangeshkar ji sing 3 songs, and should you keep in mind the songs from ‘MujhseDostiKaroge’, ‘Jaane Dil Foremost’, ‘AndekhiAnjani Se’ have been chartbusters and had nothing to do with classically-based ragas. Bollywood is all about adapting to the administrators’ imaginative and prescient and is situational, it’s a knack the place one has to give you 4-5 variational tunes for every state of affairs and the most effective will get picked. Whereas Ramyug wanted a extra devotional but modern really feel.

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6. Do you utilize music for your self like do you typically simply play Santoor just for your self… nearly like in a meditative manner?
Nicely, I’m at all times enjoying the Santoor or Keyboards in my music room for my greatest critics my spouse Barkha, and my son Abhinav. Their inputs assist me vastly. Sure, music has a therapeutic contact and might heal, particularly through the pandemic. Once I’m practising alone it’s a type of meditation.

7. Whenever you look again and also you see the legacy of your father – does it pressurize you not directly or do you are feeling extra content material and extra celebratory about it?
Nicely, I assume the Santoor has come a good distance from my father introducing this Kashmiri instrument to Indian classical music and taking it the world over. With a few of my collaborations, Santoor moved into varied new genres like Electronika, Jazz, New Age, and many others, hopefully, the legacy will proceed with my 6-year-old son Abhinav who’s studying from me and his grandfather.

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